![]() Mix that with youthful verve and a surfboard, and that’s definitely a recipe for fun. Bali was all new and very exciting in the early 1980s. I probably sound like a bit of a young hooligan with that opening quote. With that in mind, why would you say surf tourism is important for you as a person, and as a surfer? I’m currently down at Denmark, on Western Australia’s south coast, and doing some lecturing work at UWA in Albany.”Īt the beginning of the chapter you state: “I am grateful that surf tourism is a significant element of my life.” Later, you recount your first ever plane trip, where you visited Bali with a good friend and “managed to do all the things I promised Mum we wouldn’t-chowing down magic mushrooms, riding motor bikes at velocity around Denpasar’s roads and swilling Bintangs under the moon on the beach at the SandBar.” I gather that this infatuation for surf travel goes beyond wave-riding – an aspect which resonates with many surfers. I consider myself so lucky to have made some wonderful friends down that way though my work, through footy and in the waves. I moved down to Dunsborough in 1995 with my family, and we loved living on Geographe Bay – a beautiful location and a fantastic community. During university and my early work life, I regularly headed to Yallingup with my best mates, staying out at the Injidup camping ground under the tea trees, and enjoying the halcyon days surfing the Carpark, Yalls, Bears and further down the coast at Cowaramup Bay. My first surf trip down south in 1979, well that definitely changed my surfing perspective. “I started surfing as a 15-year-old around Perth’s metro beaches, up at Lancelin and down to Mandurah. ![]() Readers are encouraged to take the following comments for the case study that they are, using them as the basis for further discussion and reflection on their personal relationships with their own surf community, as well as their approach to surf travel, rather than as gospel truths about surf tourism dynamics. In 2013, Vanfleteren won his sixth World Press Photo Award for the series ‘People of Mercy’ in the ‘Staged Portraits’ category.Surf Simply caught up with Dr Holt to hear more about the background of his research, as well as his opinions on the interrelations between ‘surf tribe’ and ‘surf tourism’. He received numerous awards for his work, including the European Fuji Award, the Dutch National Portrait Award and the Cultural Prize of the province of West Flanders, which is awarded every five years. Vanfleteren’s autonomous work reveals an artist with a keen sense of observation and an ability to listen to, contemplate on and write about the world around him. Vanfleteren specializes in black and white portraits and long-running photo report projects at home and abroad. Besides doing his own projects, he worked as a freelance photographer for the Belgian newspaper De Morgen and a number of international media outlets until 2009. Stephan Vanfleteren studied photography at the Sint Lukas School of Arts in Brussels between 19. Without embarrassment, they all pose for Vanfleteren’s camera. And also Peter Cole who lost part of his right eye and is now in his eighties, although none of that prevents him from still riding the waves. And Maori descendant Kehu Kehu Butler who wears a traditional moko tattoo as well as an eye patch, following a classic surf accident. These include Bethany Hamilton, who lost her arm to a shark at the age of thirteen. ‘Surf Tribe’ shows competitive surfers, free surfers and surf hippies from around the globe: from young surf talents to surf icons and living legends. That feeling of insignificance in the face of the forces of nature, the fights lost and won – with others, but above all with themselves. ![]() What unites them is their love of water and their addiction to the wave. The photos reveal the real individuals behind the surfers, in all their strength and vulnerability. With more than seventy distinctive black-and-white portraits, the exhibition ‘Surf Tribe’ is an ode to the people whose souls belong to the ocean. During numerous encounters and adventures he managed to capture many surfers with his camera. They are not depicted in action shots while riding azure waves, but in serene black-and-white portraits shot in Vanfleteren’s own pure and gripping style.įor eighteen months, Stephan Vanfleteren plunged deep into the world of the international surf community. There he manages to capture the almost fluid community of ‘subjects of the mighty Surf Tribe’ whose only ruler is nature. Vanfleteren looks beyond the traditional surf spots of California and Hawaii and travels all over the world in search of people who live where the ocean meets the land. In the exhibition Surf Tribe the Belgian photographer Stephan Vanfleteren (Kortrijk, 1969) exposes a culture dominated by a deep respect for the ocean.
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